波霸总动员

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　故事背景设定在星际殖民的未来时代，神秘的漂泊者赛（凯南鲁兹饰）遇见了为地球外军事承包商艾克索工作的中尉肯恩（丹尼尔麦佛森饰），这对背景南辕北辙的搭档，必须在艾索克掀起的星球危机中，同心协力救出肯恩的小女儿，而为了理念背叛神通广大的艾索克的两人，除了必须面对天罗地网般的追捕，还得战胜游荡在荒芜星球上的野蛮生物。

在十年前的拳击界，张力（张继聪 饰）是如日中天的「金童」，却因一场意外失去了自由。十年后，他刑满出狱，遇上他从未见面的亲生儿子方圆。为了得到方圆母亲的遗产，需要与方圆一起生活。张力面临生活困境与情感纠葛，令他的生活再次翻转。在父子间的矛盾与和解中，张力逐渐找到自己的使命，面对过去在擂台上的阴影，决意再次重拾拳击梦想，并努力成为儿子的榜样...

5个寄养兄弟姐妹团聚回忆，突然经历了一场灾难。最小的妹妹无法得救。事故发生后，四个兄弟姐妹被最小的妹妹吓坏了。灵媒说，小妹妹不冷静，她有话要说。四个兄弟姐妹发现了，这是什么？