波多野结衣之忆青春飘逝 JUX 254
剧情简介
青春洋溢的大嫂數年照顧重病在床的哥哥,悲痛憂心哥哥的健康,而美麗青春的軀體在寂寞的夜晚中哭泣枯萎,但在弟弟眼中那年青艷麗的花朵誘惑著心中禁忌的愛戀,烈焰的情感終就是必須破繭而出。
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青春洋溢的大嫂數年照顧重病在床的哥哥,悲痛憂心哥哥的健康,而美麗青春的軀體在寂寞的夜晚中哭泣枯萎,但在弟弟眼中那年青艷麗的花朵誘惑著心中禁忌的愛戀,烈焰的情感終就是必須破繭而出。
宁静的山村进入雨季。村中的老伐木工人岸克彦(役所广司 饰)为人古板,与儿子关系紧张。他在上工途中给东京来的新人导演田边幸一(小栗旬 饰)和副导演带路,由此被拉入一部丧尸电影的外景拍摄。在被迫充当临时演员后,克彦竟对电影产生了微妙的兴趣,他开始不请自来的帮助摄制组与村民沟通,开展工作,甚至忽略了本职与妻子的忌日。 突然闯入的摄制组扰乱了山村的平静和克彦的生活,也改变了导演幸一自身。幸一生性腼腆缺乏自信,在摄制组中毫无威信。偶然间他发现自己的丧尸剧本竟为克彦所欣赏,不禁大受鼓舞,两人在数次的泡澡时间里进行了奇妙的沟通。在克彦的帮助下,幸一慢慢树立了自信,电影拍摄也步入正轨。然而临关机前的一场瓢泼大雨再次令拍摄陷入危机,克彦的缺席也令幸一惶恐无措起来…… 影片获第24届东京国际电影节评委会大奖。片中两位主演役所广司和小栗旬在现实中亦均担任过导演。
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
一对爱侣Liz和Malcolm去到一座偏僻的小屋度假,Malcolm却因意外先回城了,留下Liz独自一人,她很快发现这座小屋有着邪恶可怕的过去,如今缠上了自己。
符合原著,不过很快就没了,后面
图我有!需要请来!
为什么吃过饭他和三皇子就是敌人了,他不是和大皇子关系不好吗?那要跟三皇子也交恶,那就要对付两个皇子?
超好看的,虽然是Al的。他的精神病应该是有利于破案,但对他自己却不友好。
很好特别好看
不行,看不懂数学!
作者你多更两集可以吗,我忒想看冲诗诗被打成猪头!
国君真是为沈浪操碎了心,连色相都卖了[:a无奈:]
钱队:那我们下去开车车吧!!!
白夜城,掩人耳目,地基建房,厚积薄发。[:a滑稽:]