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时常独守空闺的仁子，与丈夫的关系已经达到冰点，除了天天在家打理家务，独自面对冷冰冰的房子，她无处可去，像被囚禁在鸟笼裡孤独的小鸟。但这样的生活让她感到空虚寂寞，她需要温暖慰藉，只好每天靠著性爱抚幻想自己沉浸于欢愉之中。一天，当她又开始沉醉在自己的幻想时，突然发现窗边似乎有人在偷窥，她小心翼翼的走向前去，竟发现是隔壁邻居健二…。健二突然的现身，却让仁子幻想的小世界无比的性欲兴奋，她不想活在幻想中了…她决心要大胆解放！
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
拥有15年资历的资深女狱警，得知自己所负责的收容人美英母亲的死讯，之后开始展开的故事。狱警在告别式场以及殡仪馆遇见了美英的女儿俊英，这短暂的相遇，给三人的生活带来了温暖的变化。
父亲与少年关系生疏，两人决定以一次狩猎之行缓释心结，然而深藏在森林中的灰熊，却早已为他们埋下了生存危机。
乞丐苏难好强啊
为什么刀我？我的瑞瑞，钱错该多心痛啊呜呜呜呜呜呜，两只小苦瓜，快点结束虐心部分吧呜呜呜呜呜呜
兄弟们，我只能为你们做到这了
我真是求求你了。[:a生气:][:a生气:][:a生气:]再更一会儿吧。
不会是反向天才吧，算啥啥不准，反着听就行了
沈浪去国都不轻易沾花惹草，但是他沾染国君女儿这朵大花啊[:a狗头:][:a狗头:]
这个番外更完了，不健全关系之后再也没有了吗？😰
还好我有先见之明
当年就是这个一脚给我踹入bl的！
给不能截屏的姐妹们