嫂子代替妻子

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

东北某市，晨报主任左守权得知与前妻生活多年的女儿，在校组建“问题乐队”，不务正业，恐将被学校处分。老左欲将女儿留在家乡从事铁饭碗工作，左明明却欲南下逐梦。老左苦口婆心劝说不成只好四处托人求助。女儿英语老师吕有容，因儿子转学之事有求于老左，两人化干戈为玉帛，惺惺相惜。由此引发左明明误会其二人有苟且之事，羞怒至极，父女决裂。左明明终日与乐队混迹夜场，几乎放弃学业。老同学牛校长涉嫌违纪，牵连老左被停职。吕老师因和老左的一条醉酒视频丢了工作。关乎女儿学位的英语四级考试，也只剩下最后机会。 为了女儿的未来，老左找来女儿乐队吉他手小马协助，准备孤注一掷……

中年诗人奥斯卡·雷斯特雷波沉迷于诗歌，却始终未获认可。他孤僻而失落，活成了“被遗忘的诗人”典型。一次偶然的邂逅，他结识了出身贫寒的少女尤拉迪，并试图引导她走上创作之路。随着两人关系的深入，奥斯卡将她带入诗人世界，却也让她面临理想与现实的冲突。

　　20年前，社会主义国家南斯拉夫解体，奉行主义的更迭并未改变东欧这片多灾多难土地的命运。战火持续，人民罹难。时至今日，硝烟仍未从这里散去。卡萝尔（祖儿·费利克斯 Zoé Félix 饰）、马提亚（埃瑞克·萨文 Eric Savin 饰）、萨米尔（Arié Elmaleh 饰）是来自法国的救援小组成员。在完成任务后，他们驱车返回祖国。然而必经之路上有士兵把守，为了不浪费时间，萨米尔建议抄小路前进。这一决定将他们引入一条黑暗之途，行至半路，三人被一群全副武装的不明身份者绑架。在此后的数日内，他们全被关在不见天日的笼子里。　　对于对方的动机卡萝尔他们全然不知，只有无尽的恐惧伴随左右，而死神的脚步也在慢慢逼近……