JVID《火辣美臀女神大秀钢管舞 》

 伊薇（尼娜·凯莉 Nina Kiri 饰）肩负着照顾临终母亲的重任，她渴望逃离支离破碎的现实带来的孤独感。如今，她住在一间堆满感伤纪念品和回忆的房子里，理智和生活秩序都维系在她制作的超自然播客节目《底音》上。虽然她通常对搭档贾斯汀发给她的那些令人毛骨悚然的音频文件持怀疑态度，但最新收到的音频却让她感到不同寻常。一对年轻备孕夫妇的十段从未公开录音逐一揭晓，每一段都比上一段更加不祥。随着伊薇将这些录音与她目前的遭遇进行对比，隐藏的信息逐渐显现，将她推向疯狂的边缘……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　曾经叱咤小镇的“大哥”黄荣发（黄渤 饰）如今嘴硬腿软，开启人生困难模式，但他和家人都没有被命运的风浪裹挟。儿子黑狗达（范丞丞 饰）看似是黄家唯一“淡人”，暗地却密谋如何发家又“治父”；妻子陈梨珍（殷桃 饰）样样全能横扫困难，是小镇人尽皆知不太好惹的“妈系超人”；胆大手“黑”的女儿黄娇娇（李嘉琦 饰）和“神”通广大的阿太（刘雪华 饰）也各出奇招笑料百出。逆境当前，一家唯有兴“疯”作浪跟生活贴脸硬刚，没准真能让他们绝地翻盘？

东北某市，晨报主任左守权得知与前妻生活多年的女儿，在校组建“问题乐队”，不务正业，恐将被学校处分。老左欲将女儿留在家乡从事铁饭碗工作，左明明却欲南下逐梦。老左苦口婆心劝说不成只好四处托人求助。女儿英语老师吕有容，因儿子转学之事有求于老左，两人化干戈为玉帛，惺惺相惜。由此引发左明明误会其二人有苟且之事，羞怒至极，父女决裂。左明明终日与乐队混迹夜场，几乎放弃学业。老同学牛校长涉嫌违纪，牵连老左被停职。吕老师因和老左的一条醉酒视频丢了工作。关乎女儿学位的英语四级考试，也只剩下最后机会。 为了女儿的未来，老左找来女儿乐队吉他手小马协助，准备孤注一掷……