介子鬼城

　　致力于研究暴力行为根源的世界著名心理学家阿曼达·泰勒博士，有一个访谈和评估死囚杰克逊·谢伊的良机，随着访谈的开始，决定杰克命运的天平失去了平衡，阿曼达必须决定是否应该允许执行死刑！

　　对警察枪击、种族主义和他们共同的联系进行原始的、毫无歉意的审视。没有说明我们知道答案，但不害怕直接提问。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　帕特里克（让·雷诺 Jean Reno 饰）是一名艺术品大盗，在偷窃珍贵的小提琴斯特拉迪瓦里的时候，帕特里克遭到了同伴罗曼（）的陷害，不仅颗粒无收还险些丧命。帕特里开隐居了起来，发誓要从罗曼的身上夺回属于自己的东西。　　帕特里克设计将自己的两个女儿卡罗尔（法米克·詹森 Famke Janssen 饰）和卡洛琳（丽姆·柯里奇 Reem Kherici 饰）召回到了自己的身边，身为一名父亲，他缺失了两个女孩的童年，如今，帕特里克希望能有补救他们父女关系的机会。刚开始，两个姑娘对帕特里克特殊的职业和诉求嗤之以鼻，但随着时间的推移，妇女三人之间的感情渐渐回温。

　　这是一部终极警匪拍档动作喜剧，除了他们并不是真的警察。当一对穷途末路的好兄弟选择以警装参加了一场化妆舞会后，他们成为了街坊邻居的大人物。这对新崛起的英雄在面对真实世界的歹徒恶棍及游走黑白的贪污警探时，他们拿起假证件整装备战。

　　1940年9月，德、意、日三国成立同盟。山本五十六被任命为日本联合舰队总司令，并不得不“违背自己的意愿”，接受命令对美、英、荷等国开战。1941后12月8日零时，山本五十六亲自下达了“1280”密码命令，并亲自率领部队偷袭美国珍珠港，从而对美军太平洋舰队造成重创，大胜而归。随后山本五十六建议与美国讲和，但意见未被采纳。在指挥中途岛战役时，由于战略上的重大失误，日本海军遭受惨重损失。形势陡然逆转，美军攻势如虹，日军兵败如山倒。瓜达康纳岛上有三万多名日本陆军，他们遭到了美军飞机的昼夜轰炸，陷于绝境。山本五十六派出舰队炮击美军基地，协助尚存的陆军安全撤退。1943年4月18日，山本五十六为了鼓动前线部队的士气，乘坐一架轰炸机到前线视察。没想到日军的密码被美军窃取，美军派出空军机队将山本五十六的座机击落，一代军人山本五十六就此碎尸于太平洋上空。