妈妈的外遇

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

《棱镜少男 KING OF PRISM》系列新电影

　　讲述退役特种兵程凯，为寻找失踪的医疗队员妻子肖玲，孤身闯入恐怖势力猖獗的沙查尔地区。他潜入核心据点塔林，与盘踞此地的雇佣兵展开较量。期间受被掳女孩米拉的关键帮助，二人躲避追杀，历经重重艰险，最终成功冲破封锁，将米拉救出雇佣兵的魔掌的故事。

当社区的毒品问题开始影响居民并引发动乱时，人们将求助的目光投向了警方。然而，这些本应保护和服务民众的警官们，却对此问题视而不见。一群热心居民组成民防队，誓言将肃清不法扫荡三害！