妻子的男人秘密

两位坚定的父亲展开一场滑稽的争夺，争夺让孩子进入一所精英幼儿园，最终升级为一场荒诞的竞争，结果出乎意料。

　　1453年，东罗马帝国陷落后，地处中欧的神圣罗马帝国，不得不直接面对土耳其人的侵扰。土耳其人热衷扩张，虽然他们信奉伊斯兰教，但他们认为他们才是真正的“罗马皇帝”，神圣罗马帝国的皇位，已由哈布斯堡王朝掌权两百年，他们是基督教世界的最后保卫者，双方再维也纳一决高下：一方信誓旦旦，另一方誓死捍卫。

康纳·马什与他的狗桑迪过着隐居生活，直到有一天他开始玩一款新的、尖端的电脑游戏——OBEX。当桑迪失踪后，现实与游戏之间的界限开始模糊，康纳不得不踏入OBEX这个奇异的世界，去把她带回家。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.