我为卿狂

恶人的道路

　　某座平凡小镇，彪悍恐武的警探约翰·伊利亚特（维尼·琼斯 Vinnie Jones 饰）和美丽善良的女儿海瑟（Emily Tennant 饰）生活在一起。某天一名酷酷的男孩来到海瑟的学校，他叫罗比·穆勒（杰克·克罗克 Jake Croker 饰），五年前曾和海瑟有过一面之缘，并且卷入了一场神秘恐怖的死亡时间。罗比似乎对海瑟颇有好感，但却因此惹恼追求这个女孩的格雷戈（Aren Buchholz 饰）。在一次争执中，五年前的恐怖一幕再度上演，格雷戈在没有任何人碰触他的情况下突然倒地，遭受重创。　　不久后格雷戈伤愈出院，却死性不改，对罗比欲行不轨，最终在野外死于一场离奇的事故。约翰受命调查此案，种种疑点全部指向了神秘而阴森的罗比……

四面三角

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

414区

　　故事背景设置在不远的未来世界，在414区的人型机器人殖民地中，私家侦探大卫·卡迈克尔(皮尔斯饰)受雇于痴迷商业世界的财阀马龙·维特(费米尔饰)去寻找后者叛逆的女儿。卡迈克尔需要与高度智能的机器人(鲁茨饰)通力合作，而在这个过程中，关于414区和“机器人之城”起源的罪行也浮出了水面。