女人的战争之女人的理由

　　龙雁飞（许冠文 饰）是一个著名的武侠小说家，十年了都没有新的作品面世了，不过以往的畅销作品仍然带给他客观的收入，生活无忧。他的女儿Sophia（杨千嬅 饰）是个早已到了适婚年龄，但她恋爱运甚差，只想找一个真正可以过日子的人结婚，其实她一直暗恋自己的上司——花花公子Frankie（刘青云 饰）。Frankie因为意外要搬到Sophia的家住，龙雁飞看见自己心爱的女儿被Frankie当工人使唤，心里很不是滋味，便对Frankie充满了敌意，但在后来的相处中，两个男人又成了知己……

　　一位定格动画师，在失去专横的母亲后，正在努力控制自己内心的的恶魔。她孤身一人，开始创作一部令人毛骨悚然的定格动画电影，这部电影很快就成为她理智的战场。当她的精神开始崩溃时，她的动画电影中的角色有了自己的意志，她释放的想象力威胁着摧毁她的生活。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　Attempting to surpass his father's legacy, a reclusive neuroscientist becomes entangled in his own experiment, pitting ten fragments of his consciousness against each other.