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一心想过上流社会生活的龙太（朴重勋 饰）和一心一意爱着他的美容师泰洙（吴燕洙 饰）为了寻找寄身于黑社会的母亲柳光天不顾三七二十一的来到了大都市。 在路上的火车站里被满洙（李璟荣 饰）骗光钱财后成了流浪汉，急火功心的龙太将同行的泰洙卖给了妓院，继续寻找柳光天四处漂泊。一个偶然的机会下龙太救了命悬一线的柳光天并成了她的手下，当龙太再次和泰洙相见时，泰洙已经成了妓女可是她对龙太还是一往情深。 想要在黑道立足的龙太第一个任务完成的很圆满，可是却因为龙太的原因被黑道组织打断了腿的满洙触动了龙太最后一丝怜悯之心，看清了自己所处的位置，龙太意识到自己希望的光天派和现实并不一样，而且组织眼看着势力迅速崛起的龙太势力也觉得不安心，于是向龙太下达了一个暗杀给组织带来威胁的金检察官……
肯特·马洛（蒙哥马利·克里夫特 饰）因酒驾而入狱，并在牢中认识了抢劫犯约翰·摩根（切斯特·莫里斯 饰）和杀人犯机关枪布奇（华莱士·比里 饰）。性格软弱的马洛入狱第一晚便遭到了布奇的欺凌，随后他与其他狱友也无法和谐相处，心怀不满的他在警察密探的怂恿下想要通过抓住布奇和摩根的把柄的方式来提前出狱。性格暴躁的布奇无法忍受牢中恶劣的饮食条件，在餐厅怂恿所有犯人一起抗议，最终遭到压制，布奇也因此被送往地牢，但他心中已打定主意要设法越狱。摩根性格狡猾，在狱中一直左右逢源，并因在狱中表现良好得到了提前出狱的假释机会，就在他喜不胜收准备出狱之时，某个突然而来的事件永远改变了他的命运。
29岁的洛朗正在寻找人生的意义。他最终来到一个淡季的废弃滑雪场，很快融入了当地少数居民的奇特生活。当冬季来临游客涌入时，洛朗却发现自已已无法抽身……
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
沈浪：找，找到了，下个星期可以开始输血了
四带二！[:a可爱:][:a狗头:][:a狗头:]
我觉得画的不好看，就是来看剧情的，真小可爱的能拖啊，还是永久券
额，我有点不理解，邮件的图片上是两个人，可是下面为什么要写“你好”而不是“你们好”，可能是我想多了吧。
天赋哪儿有开挂重要[:a狗头:][:a狗头:][:a狗头:]
我要被那结婚证一起的照片季风云的表情笑死了哈哈哈哈，看光头沾一手墨我竟然会怀疑有毒[:a无奈:]
为什么感觉错错一下子年轻了十岁
作者身体健康最重要，不要恶意催更了行吗
看到雨总说这话，我已经被帅懵了
超级好看！画风非常美丽！我真的超级喜欢！！！