JVID-《安娜贝干》用性爱来打破诅咒！上集

1863起义者

莎拉的笔记本

　　劳拉，来自马德里的西班牙律师，为寻找她失踪的妹妹萨拉，深入刚果丛林的钶钽铁矿产区，营救妹妹

即兴谋杀

　　神秘孤岛上只有一座何家古堡，以前死过很多人。半瘫少女何思怡（李庚希 饰）离家17年后归来，父亲却离奇失踪，迎接她的是美艳温柔的继母（邓家佳 饰）、风度翩翩的私人医生（黄晓明 饰）、年轻健硕的司机（刘奕铁 饰）和万般贴心的女佣等人。这一切看似平静，但不时响起的古怪声音，似有若无的血腥气味，似乎都藏着这座古堡不可言说的秘密，一步步将这家人 拖入万劫不复的深渊，一场蓄谋已久的复仇大戏渐渐拉开帷幕……

三天

　　朴信阳饰演父亲车胜道（音译），李民基（李暋起）饰演潘神父（姓为音译）。　　该片讲述在为女儿举办葬礼的三天时间中，与寄生在死去女儿心脏中突然苏醒的恶魔进行斗争的超自然电影。

死亡不存在

在一次武装袭击失败后，海伦抛弃了她的同伴，逃进了森林，并遇到了凯瑟琳，一个神秘的另一个自我，一个充满野性且极具诱惑的分身。这个分身将带她来到一个奇幻的山谷，在那里，变形、邪恶的力量以及巨大的动荡很快就会打破原有的秩序。海伦将不得不重新审视自己的选择，以及那些限制着这些选择的道德、政治和人性方面的两难困境。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.