色欲难耐的人妻：觊觎全体员工

　　梅根斯和艾米性格迥异，却成为了最好的朋友。一天梅根在网络聊天室里遇见男孩乔希，两人一投即合。然而，梅根在去见乔希后神秘消失，艾米于是竭尽全力寻找好朋友。(文/life_is_good@YDY)

简和伴侣的森林之旅出了岔子，当一个陌生人出现并质疑他们关系的真实性时，她开始怀疑自己是否真正掌握了现实的全部真相。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　在法国南部，一位年轻女性对谋杀和身份盗窃的令人毛骨悚然的痴迷将她的生活卷入了混乱之中。