野店

　　In the British countryside, the Harver family head out on an idyllic summer camping trip where they can bury past tensions and enjoy some family bonding. But when their camp is sabotaged by an unseen intruder in the night, they head to the nearby creepy old farm desperate for help, where vengeful farmer Hunt Hansen and his hideously deformed son aren't farming animals... Caged and waiting for their limbs to be severed, cooked and eaten one at a time, the Harver family must overcome their differences and unite in order to escape alive!

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

在多年前的一段经历后回到法国，钢琴家马蒂亚斯·福格勒将再次与他的导师埃伦取得联系，为一场音乐会做准备。在一座公园里，他将邂逅一个与自己长得一模一样的孩子，而这个孩子会把他引向克洛丁——一位他曾在某个时代深爱过的女人。

　　电台主持人卓镇涛（戴立忍 饰）极富才气，他主持的情感心理节目深受广大听众喜爱。他还有一个令人羡慕的家庭，妻子（梁静 饰）贤良持家，长女晓艺是T台的新星，儿子晓柏（翟文斌 饰）是有名的造型师，小女晓芊更是清新可人，伹随着妻子在水族馆的不幸遇害，这个美满的家庭发生了巨大变化。警方确认为他杀，而卓镇涛因忙于工作疏于家庭从而背上了很大的心理包袱。三个孩子为两任妻子所生，而两任妻子全都死于非命。晓艺把责任一鼓脑推给爸爸，虽说同父异母的孩孒们相处融洽，但作为心理专家的卓镇涛确实难辞其究。随着又一桩诡异事件的发生，真相即将浮出水面......