灵与肉

　　改编自斯蒂芬·金小说。是2019年那部宠物坟场的前传。讲述1969年贾德·克兰德尔发现了一段黑暗的家族史：一个神秘坟场里被埋葬的人和动物都会复活，但事情绝没有看起来那么简单。

 隐居孤岛的特工界黄金王牌迈克尔·梅森（杰森·斯坦森 饰）本想就此隔绝过往，一场风暴却让他救下少女杰茜（博德希·蕾·布里纳希 饰），命运的齿轮彻底反转……他们的行踪不慎暴露在严密的监控网络之下，神秘势力的追杀接踵而至，无路可退的梅森被迫重操旧业，携手少女开启生死突围之路。 面对顶尖特工小队和冷血杀手的轮番围剿，梅森一路火力全开：近身肉搏、飞车追逃、枪林弹雨，硬核爽战全程高能！随着追杀不断升级，层层阴谋被逐一揭开，互相防备的两人成为彼此唯一的依靠。当滔天阴谋席卷而来，他们能否冲破死局？这份绝境中的守护，又会成为铠甲还是软肋？

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

 婚礼前几天，一对情侣无意中发现彼此的秘密，亲密关系面临考验，令结婚计划骤然生变。暗黑秘密如何一发不可收拾？各种反应又引致怎样翻天覆地的后果？原定又浪漫又幸福的结婚计划，还可以进行吗？

　　如果灵魂离开了身躯，肉体还是正常活动，该怎么去解释这种生命形态？余燕（陈郡君饰）早晨醒来便觉得身体有异常，先后与家人和男友许德（张立昂饰）发生争执，盛怒的余燕转身离去，随后发生车祸。经医生抢救逃过死劫，却找不到心跳。此时她被劫走，醒来后身处在地下密室，研究失魂者的胡教授解释余燕会失去魂魄，是因为内心有强烈的负面磁场，一旦受到冲击，灵魂就会脱离身体。余燕需要在72小时内把自己的灵魂找回来，才能够恢复正常。

金刚回到了自己曾经生活的地方，然而一切早已物是人非。这时，一起拐卖儿童的事件意外发生，金刚以一个局外人的身份开始寻找被拐的女孩，在这个过程中他的过往也依旧在纠缠着他……                                                                      　　金刚将不得不面对自己最不愿意正视的伤痛……