乐乐肉丝透明在床上翻云覆雨

　　当红网络恐怖漫画作家姜知允（李诗英 饰）新作接连问世，备受好评。而生活中她似乎越来越分不清现实和虚幻的界限，不仅经常遭遇极度逼真的恐怖噩梦，身上还常出现莫名其妙的伤口。某个夜晚，姜作家的责编徐美珍以极其残忍的方式自虐身亡，而其死亡过程和现场惨状竟与姜作家不久刚刚发给她的新作内容如出一辙。未过多久，又发生了一起和漫画内容相似的殡仪馆杀人事件。盆唐警局刑警琪哲（严基俊 饰）和后辈金永秀（金显祐 饰）介入调查，并慢慢追踪到姜作家鲜为人知的背景。　　霓虹灯下鬼影幢幢，每个人心中都有不愿为人知晓的秘密，冤有头，债有主。因果报应，毫厘不爽……

一位父亲刑满释放后，试图通过带女儿参观大学校园来修复父女关系。然而，当一个凶残的邪教开始追杀他们时，两人所要拼命守护的，早已不只是那段早已破碎的亲情。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.