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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
阿特拉斯耸耸肩
在一个家族传承的塔格特铁路公司,现任总裁为家族长子詹姆斯·塔格特,副总裁是达格妮·塔格特,兄妹俩为挽救公司岌岌可危的营运,想法与方法可说是南辕北辙,一位只是口头囔囔一些没有经过详细评估的墨西哥——圣赛巴斯蒂安支线的投资,却没有提出一丝一毫的规划与执行方案,常常以见不得别人成功的酸葡萄心态看待事情与诋毁他人;另一位是以“我是像一个饿疯了一样,去找任何一个能把事情做好的人!”为挽救塔格特铁路公司,与爱迪·威勒斯孜孜矻矻、焚膏继晷的努力工作,为顺利完成里约诺特的铁路支线,找上里尔登钢铁的汉克·里尔登合作,采用里尔登刚发明的新合金当铁轨,没想到成功营造出里约诺特的铁路支线,却是另一个不幸的开端。 幕后制作 《阿特拉斯耸耸肩》是上世纪美国著名哲学家、小说家安·兰德的代表巨著,这位俄裔美籍小说家推崇理性,认为人的最高美德便是理性。她不顾传统舆论的偏见,力倡个人主义,认为不能使个人利益得到最大伸张的社会,就不是理想社会。她的客观主义哲学自上世纪50年代起便风靡美国校园,影响了几代美国人,她本人也成为美国青年崇拜的偶像。 《阿特拉斯耸耸肩》是她最著名的一本小说,曾在美国社会产生巨大影响。书中宣扬金钱至上的思想,探讨了理性利己主义的道德性。1957年刚刚出版曾遭遇社会恶评,但却异常畅销,在美国的销售量仅次于《圣经》,并影响了当时社会的很多知识分子,甚至成为美国学生必读的课外书籍。
泰勒·席林,保罗·约翰逊,格兰特·鲍尔,贾苏·加西亚,马修·马斯登,Rebecca Wisocky
灵殇
亚历斯和莎玛是一对年轻恋人,他们于前往波斯尼亚与赫塞哥维纳中心时车子抛锚在森林里,他们决定向附近的村庄求援。路上,巴尔干战乱的穆斯林幸存者莎玛,开始怀疑有神秘力量追高清在跟着他们,而自信、快乐的年轻欧洲人亚历斯,试图让莎玛甩开这些胡思乱想;但莎玛紧握着她的穆斯林护身符「哈麦利亚」不放,导致神秘力量从森林里逐渐浮现…
奥古斯特·维特根斯坦,阿尔玛·特尔齐奇,Aleksandar Seksan,Ella Jazz,Sanin Milavic,Diana Fernández Pérez
我的老婆是明星
朱淇(刘心悠 饰)一直以来都希望成为一名演员,然而,在娱乐圈摸爬滚打浸淫多年,始终缺少一点运气的她却依然只能在剧中混得一个跑龙套的小角色。一次偶然之中,电影公司的大老板杰夫(林德信 饰)看中了朱淇,钦点她做一部炒得十分红火的贺岁片的女主角,朱淇兴奋之余害怕自己已婚的身份会影响星途,于是决定隐瞒这一事实。 朱淇的丈夫赖毛(周柏豪 饰)是一名娱乐记者,为了老婆的前途着想,他只能不情不愿的配合着朱淇的脚步。然而,随着朱淇的走红,赖毛发现自己和老婆之间的距离越来越远,不禁心生疑虑,潜伏剧组之后方才发现朱淇和杰夫之间竟然有着扑朔不明的暧昧关系。
周柏豪 ,刘心悠,林德信,蔡洁,蒋志光,李尚正,郭伟亮,叶佩雯,朱薰,李日朗,杜德伟,连诗雅,卢海鹏,林盛斌,邵美琪,车婉婉,庄锶敏,田启文,赵硕之,古天祥,符晓薇,黄文慧,余慕莲,王晓君,李润庭,可宜
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种渺种师师二人皆都很有“料”嘛真的
究竟是什么让一个阳光少年变成一个富态大叔呢
又是断在这种文耻之位,又要等一个星期,难受啊![:a苦笑:]
当初把自己差点气进棺材…今天又爽到飞天
宁寒公主和沈浪有关系吗看过的告知一下谢谢
明明知道讲不完怎么就没忍住看了打自己两耳光
看样子又要借这个机会再扫荡一波人了
過程呢?數學老師沒教作者過程是很重要的嗎?[:a生气:]
不评论点什么对不起这个故事呀,我太爱你了。