赤裸惊情

八路军教导员王金执行锄奸任务失败又遭叛徒诬陷，被组织审查。王金凭着对党的忠诚和坚强的意志率领这些身份复杂、性格迥异的人最终组成了一支神秘的队伍，出生入死、历经艰险，突破重重险境，重新汇入抗日洪流，最终完成了锄奸任务的故事。

本片剧情依然围绕遗体送还公司“天使之心”展开。社长伊泽那美得知8年前身亡的恋人或许仍在世而心神动摇。万圣节期间，公司成员奔赴世界各地处理送还事务：有人面对因婴儿猝死而自责的母亲，有人护送突然离世的明星回国，也有人送别在旅途中去世的青年。那美在墨西哥执行任务时，一边处理逝者身后事，一边被旧日恋情的线索牵动，在生死与思念交织中重新审视自己的内心。

 讲述特蕾莎修女一生中关键的7天，即她决定离开加尔各答的洛雷托·恩塔利修道院，创立自己的修道会的时期。

　　约翰．卡彭特导演的这部科幻片并没有强调特技噱头，反而将重心放在异乡人的主题上，而且拍出了相当浪漫动人的气氛，甚至可以将它当作一部取外星人为主角的文艺片来欣赏。杰夫．布里奇斯饰演一名纯真的外星人，他的宇宙飞船被地救人击落，掉在威斯康辛州的荒野。他负伤来到新近丧偶的寡妇凯伦艾的家中，并且借用她丈夫的身体来延续生命。在学习地球人的生活方式过程中，他跟寡妇发生了感情。外星人的救援队将在三天后到达亚历桑纳州接他回外层空间，他需要寡妇开车送他到那里。地球上的两位政府官员也接获讯息，他们决定不管生死都要捉住外星人，因而引发了一场精彩的拉锯战。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　八个感化院的青年在两名警官的监督下，前往乡间一所破败的客栈中接受社区服务，但是他们的到来却无意中惊醒一个沉寂已久的恶魔。雅克布•古德奈特 饰（Glen Jacobs 格兰“凯恩”雅克布 饰），身高七英尺，体重四百磅，头骨里嵌着一个生锈的铁盘，锋利的指甲足够戳穿对手眼睛的精神病患者。　　雅克布四年前曾被警官弗兰克•威廉姆斯（Steven Vidler 饰）枪击头部，却侥幸逃生。如今弗兰克正是这群青年的督导员。弗兰克和孩子们的出现激起了雅克布屠杀的欲望，他举起巨斧，将客栈变作血腥的屠宰场……