跑到我床上却不让我自慰的妈妈朋友

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 红衣主教劳伦斯（拉尔夫·费因斯 Ralph Fiennes 饰）要负责世界上最秘密、最古老的活动：选择新的教皇。而他发现自己处在一起阴谋的正中心，可能撼动教会最深的根基。

　　世界末日是一部非常个人化的电影，展示了家庭的力量和一代人对美国梦的追求

树叶已经开始变了，但乔纳森·鲁斯特教授对即将到来的学期仍然准备不足。本周末，他正在为考古系的野外工作课程寻找合适的地点。在同行学者和雇工的帮助下，该团队在拂晓时分出发。这次旅行为乔纳森提供了一个难得的机会，让他亲自动手，成功可能意味着出版，也可能意味着终身教职。当一名助教神秘失踪时，探险队很快就脱轨了。很快，这群人发现自己处于现实和来世的交汇处，陷入了令人难忘的疯狂之中。